48 results
The Year that Made the Musical
- 1924 and the Glamour of Musical Theatre
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- July 2024
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- 11 July 2024
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The Boatswain's Mate, music and libretto by Ethel Smyth. Edition by Valerie Langfield Lontano Ensemble, conducted by Odaline de la Martinez Nadine Benjamin, sop; Edward Lee, ten; Jeremy Huw Williams, bar; Simon Wilding, bass; Ted Schmitz, ten; Rebecca Louise Dale, mezzo-sop; Mark Nathan, bar Retrospect Opera RO001, 2016 (2 CDs: 73 minutes, 74 minutes). - Pickwick, music by Edward Solomon and libretto by F.C. Burnand Cups and Saucers, music and libretto by George Grossmith. Simon Butteriss, bar; Gaylor Keeble, mezzo-sop; Toby Stafford-Allen, bar; and Alessandro MacKinnon, treble; directed from the piano by Stephen Higgins Retrospect Opera RO002, 2017 (1 CD: 74 minutes).
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- Nineteenth-Century Music Review / Volume 19 / Issue 1 / April 2022
- Published online by Cambridge University Press:
- 14 February 2022, pp. 119-125
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Nomenclature for Pediatric and Congenital Cardiac Care: Unification of Clinical and Administrative Nomenclature – The 2021 International Paediatric and Congenital Cardiac Code (IPCCC) and the Eleventh Revision of the International Classification of Diseases (ICD-11)
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- Cardiology in the Young / Volume 31 / Issue 7 / July 2021
- Published online by Cambridge University Press:
- 29 July 2021, pp. 1057-1188
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14 - Earth as Organic Chemist
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- Deep Carbon
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- 03 October 2019
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- 17 October 2019, pp 415-446
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The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017
Part I - Adaptations and Transformations: Before 1940
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 1-18
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Index
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 438-454
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Copyright page
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp i-iv
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5 - American and British Operetta in the 1920s: Romance, Nostalgia and Adventure
- from Part I - Adaptations and Transformations: Before 1940
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 79-98
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Part IV - Legacies and Transformations
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 356-380
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Preface to the Third Edition
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp ix-xiv
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Select Bibliography
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 423-437
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15 - The Megamusical: The Creation, Internationalisation and Impact of a Genre
- from Part III - Evolutions and Integrations: After 1970
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 281-300
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Contributors
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp vii-viii
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Part III - Evolutions and Integrations: After 1970
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 230-244
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Contents
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp i-iv
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Illustrations
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp v-vi
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Part II - Maturations and Formulations: 1940–1970
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- The Cambridge Companion to the Musical
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- 21 September 2017
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- 21 September 2017, pp 132-156
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The Oxford Handbook of the American Musical. Edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf. New York: Oxford University Press, 2011.
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- Journal of the Society for American Music / Volume 7 / Issue 3 / August 2013
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- 13 August 2013, pp. 335-338
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- August 2013
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Contributors
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- Essential Clinical Anesthesia
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- 05 January 2012
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- 11 July 2011, pp xv-xxviii
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